The sculptures entitled “Scorched Land” evoke migration and, more broadly, the exoduses experienced by populations throughout history.

Using shards of asphalt recovered from roadside debris, ashes, pigments, and wood, these landscapes reveal territories with naturalistic relief.
The absence of human presence reflects the isolation induced by displacement.

This raw architecture reflects both the reality of contemporary migrations and their immutability.

This mineral world paradoxically suggests the possibility of a shared future.